At the souvenir shop you can purchase a dvd with your interactive moments (obvs bought that) and a plush toy Falcor along with other usual toot. Humiliating as that may sound I loved every minute. The group were on board and Lisa played the song twice. I welled up completely and that moment with my children exceeded all expectations. When a volunteer was asked to sit on him my hand shot up and by now the rest of the group knew this was my moment! My children are now 9 and 11 so a great age to have experienced sitting on him in front of a green screen while the theme song plays and a mini film is made. The sets are impressive including the control desk of Air Force one, Big Game with Samuel L Jackson, The Vikings and most importantly Falcor. I made it clear to Lisa why I was there and to prepare her for the emotion that may follow! There were a few opportunities for audience participation - in volunteered to read the weather whilst my daughter pointed ( green screen/ monitors etc) The kids sat in a train carriage whilst a scene played out and Lisa directed them along with two chaps to act out a crash saved by superman. The tour lasted and hour and a half and whilst I didn’t know most of the films made there it was still interesting and very interactive. We were rebooked on a flight the following day so with an entire afternoon at our disposal my first thought was to visit this museum! When we arrived we were told the tour would be in German as it’s off season but our guide Lisa made us feel so welcome and translated everything for us despite being the only English speaking people in the group. We’d been skiing at half term and our Sunday morning flight was cancelled due to heavy snow. It’s been an ambition of mine to visit and the opportunity arose on Sunday. I read a long time ago that Falcor the Luck Dragon was displayed at this museum just outside of Munich. It was one of my favourite movies as a child and loved showing my children the film when they were old enough to enjoy. Would not recommendĪt 44 I’m not embarrassed to admit I’m a fan of the Neverending Story. We opted not to bother with lunch since the only 'restaurant' on site is McDonalds. An hour and forty minutes later we were invited to exit through the shop which was loaded to the rafters with cheap Chinese merchandise. The audio guide provided short, dull blurbs about each stop on the tour, and we spent the rest of the time watching as the tour guide prattled on in animated German for at least 5 minutes at each stop while the others in our tour group laughed their heads off and participated in little film scenes. The only available option other than simply leaving was to download the English audio guide to our iPhones and do the German tour. And then we were told that they would not enjoy the other non-tour activity because it's based on a German TV show our children wouldn't know. We were also told that our six year-old twins were too small to go into the 4D cinema. You'd kind of expect this to be made clear on the English version of the website, but apparently not. We arrived to be told that there were only tours in German unless we were prepared to wait 2 1/2 hours. The useless website's ticketing function was not working, which irritated us but turned out to be a blessing in disguise as I would naturally have bought the all-inclusive ticket which we discovered we couldn't use. Season two opens with a thrilling series of above-ground plot points, all poised to interlace: a French resistance operative working as a double agent in an SS-operated police department a grieving soldier desperate to find his abandoned daughter a too-trusting senator’s son and the U-boat engineer he scooped up out of the sea, schmoozing through the nightclubs of Harlem.After seeing this on numerous lists of great things to do with kids in Munich we were excited to go the the Filmstadt. How Das Boot achieves this is by taking a lot of the water out but keeping the claustrophobia in. But with that smooth patina of Big Budget TV over the top of it, Das Boot becomes compelling to an audience wider than – and I’m using my own father as an example – “men who go to the library twice a week solely to take out non-fiction war books about U-boats and chain-smoke roll-ups while reading them in utter silence”. Obviously, an atmospheric, no-fun drama set in the simmering cauldron of a second world war submarine – where danger surrounds you, both from the murky waters above and from the complicated hierarchy of men, young and old and grizzled and green, who all have differing levels of dedication to the wartime cause – isn’t for everyone.
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